GET MAJOR RESULTS FOR INDIE RELEASES

The Independent Music Awards is an influential & effective international program that helps top-ranked indie artists & releases overcome mainstream obstacles and reach millions of Fans, Programmers, Talent Buyers, Film, TV & Gaming Music Supervisors, Press and other industry movers & shakers.

The IMAs broadens the definition of what is commercial by giving vetted independent talent access to major market promotional outlets and music fans.

ARTISTRY HAS ITS AWARDS

The Independent Music Awards is not a contest or battle of the
bands. IMA artists receive yearlong print, online & broadcast
promotions plus distribution & performance opportunities including an IMA showcase at the CMJ Music Marathon.

The IMAs represent the diversity of today’s vibrant indie scene and supports artists with previous major label releases as well as artists that have only self-released or appeared on indie labels.

There are over 50 Music and Design categories including
Genre Song & Album, Social Action Song, Cover Song,
Music Video, Live Concert Photo, Merch, Band & Indie Label Web Site, Press Photo, & Gig Poster.

5.11.2009

Symphony Space Review


Check it out here. Or below:

On May 7th, 2009 the Independent Music Awards presented Story Songs, an evening of story telling intertwined with music. Artists Kristy Kruger, Richard Julian and Amy Speace were asked questions concerning their life’s stories by host Anythony DeCurtis playing the role of James Lipton, but without a stack of blue cards. Story Songs was the intermingling of MTV’s Unplugged, through its intimate setting and Inside the Actors Studio. Each singer-songwriter presented the background to their song including it’s story or creation.

Richard Julian’s initial song, alternatively titled “Still Crazy After All of These Years” (I can’t quite remember the actual songs name) was a humors and delightful story of a Brooklyn Taxi ride to the airport. Of all the artists, his music best represented a novel, each song representing an actual story of his life, whether it be God’s grandson, travel or relationships. The foundation of each song was unique, interesting, almost as if each unique story was a part of the song.

Amy Speace touched me the most with her voice and her approach to the “story” songs. Each song seemed to represent her and an event wrapped in a heart felt southern foundation. Her presentation best embodied the event, making it seem more like a campfire song and tell, rather than an auditorium space with lights, camera, and amplifiers. Lyrics such as “The killer in me loves the killer in you,” demonstrated the emotional and rocky roads of life.

Kristy Kruger was the most unique of the artists on stage, resembling a 1930‘s/1940’s style with overtones of Betty Boop. That description does not represent Kristy’s range. Playing 5 instruments (a piano, a guitar, a standup guitar, a tambourine, and fiddle), Kristy’s music was reminiscent of old style radio. Kristy moved the audience from the novels of Richard Julian and the campfire of Amy Speace to a classic more innocent era, even when the lyrics were filled with sadness and sorrow. While her music was darker, her stories were interesting with a touch of humor and distinctness.

Story Songs was an intimate evening paired with three different personalities. It’s was a good introductory event for the Independent Music Awards with talented artists and a wonderful host. To see musicians actively expose themselves on stage rather than just playing music creates a bond with the audience that won’t be long forgotten. Story Songs ties these two elements in a very unique and I hope continued manner in future events.

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